American Accent Training

Chapter 1 American Intonation

The American Speech Music                                        

What to Do with Your Mouth to Sound American

One of the main differences between the way an American talks and the way the rest of the world talks is that we don't really move our lips. (So, when an American says, "Read my lips!" what does he really mean?) We create most of our sounds in the throat, using our tongue very actively. If you hold your fingers over your lips or clench your jaws when you practice speaking American English, you will find yourself much closer to native-sounding speech than if you try to pronounce every ... single ... sound ... very ... carefully.

If you can relate American English to music, remember that the indigenous music is jazz. Listen to their speech music, and you will hear that Americans have a melodic, jazzy way of producing sounds. Imagine the sound of a cello when you say, Beddy bada bida beader budder (Betty bought a bit of better butter) and you'll be close to the native way of saying it.

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Because most Americans came from somewhere else, American English reflects the accent contributions of many lands. The speech music has become much more exaggerated than British English, developing a strong and distinctive intonation. If you use this intonation, not only will you be easier to understand, but you will sound much more confident, dynamic, and persuasive.

Intonation, or speech music, is the sound that you hear when a conversation is too far away to be clearly audible but close enough for you to tell the nationality of the speakers. The American intonation dictates liaisons and pronunciation, and it Indicates mood and meaning. Without intonation, your speech would be flat, mechanical, and very confusing for your listener. What is the American intonation pattern? How is it different from other languages? Foa egzampuru, eefu you hea ah Jahpahneezu pahsohn speakingu Ingurishu, the sound would be very choppy, mechanical, and unemotional to an American. Za sem vey vis Cheuman pipples, it sounds too stiff. A mahn frohm Paree ohn zee ahzer ahnd, eez intonashon goes up at zee end ov evree sentence, and has such a strong intonation that he sounds romantic and highly emotional, but this may not be appropriate for a lecture or a business meeting in English.

The Oxford Dictionary of New Words

The Oxford Dictionary of New Words:

A popular guide to words in the news

 PREFACE Preface

          This is the first dictionary entirely devoted to new words and meanings to have been published by the Oxford University Press. It follows in the tradition of the Supplement to the Oxford English Dictionary in attempting to record the history of some recent additions to the language, but,unlike the Supplement, it is necessarily very selective in the words,phrases, and meanings whose stories it sets out to tell and it stands as an independent work, unrelated (except in the resources it draws upon) to the Oxford English Dictionary.

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          The aim of the Oxford Dictionary of New Words is to provide an informative and readable guide to about two thousand high-profile words and phrases which have been in the news during the past decade; rather than simply defining these words (as dictionaries of new words have tended to do in the past), it also explains their derivation and the events which brought them to prominence, illustrated by examples of their use in journalism and fiction. In order to do this, it draws on the published and unpublished resources of the Oxford English Dictionary, the research that is routinely carried out in preparing new entries for that work, and the word-files an databases of the Oxford Dictionary Department.

The 4000 English Words Essential for an Educated Vocabulary

Contents

ABOUT THIS BOOK................................ 5

THE WORDS............................................. 7

WORD ANALYSIS............................... 103

 IDIOM AND USAGE ............................ 117

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